InstructionCompose a 3-page or longer response (double-spaced, 12-point Times New Roman font) to the following set of related questions: (1) Consider what the Chorus of Sophocles’ Antigone (lines 332-375) sings about human beings and society: what does the song mean, and to what views of humanity do the Chorus commit themselves? (2) Do you think Plato’s Socrates (as seen in the Apology and Crito) would agree or disagree with the sentiments expressed in this song, and why? (3) Reflecting on our other readings and discussion, do you agree or disagree with the Chorus’ sentiments, and why? In your response, explain your understanding of what the Chorus’ song means (you need not discuss every single verse, but aim for a comprehensive analysis), and refer to specific passages of Plato’s Apology and Crito in support of your view of Socrates. Finally, consider drawing upon some of our other readings (e.g Baldwin’s essay on identity, Nussbaum’s article on the Antigone, Dostoevsky’s spiteful narrator, Sophocles’ Ajax) as you offer your own critique of the song, whether it be in support, disagreement, or both. Your response should present YOUR interpretive answers to the questions above. It should be well organized, coherent, and concise. Your response should NOT consist of plot summary, off-topic discussion, Wikipedia articles, or the like. You do not need to undertake any research–focus on the texts we’ve read this semester. Citations should be given in parentheses at the end of a sentence, such as: The Chorus asserts that humans possess an inventive craft that encourages both good and evil behavior (Ant. 365-67). This assertion implies that the source of evil is... For citations, provide either an abbreviated title or author-name (avoid ‘Sophocles’ and ‘Plato’ since we’ve read multiple works of theirs), along with line numbers (for plays), section numbers (for Plato), or page number (most other works). Some examples: (Ant. 332-75) = Sophocles’ Antigone, lines 332-375 (Ap. 28b) = Plato, Apology section 28b (Crit. 44a) = Plato, Crito section 44a (Nussbaum 72-73) = M. Nussbaum “Sophocles’ Antigone: Conflict, Vision, and Simplification,” The Fragility of Goodness, pages 72-73 (Baldwin 128) = J. Baldwin “A Question of Identity” page 128 (Baldwin and Mead 56-57) = J. Baldwin and M. Mead A Rap on Race pages 56-57 (Appiah, “Demands” 63-64) = K. A. Appiah, “The Demands of Identity,” The Ethics of Identity pp. 63-64 (Appiah, “Soul Making” 158) = K. A. Appiah, “Soul Making,” The Ethics of Identity page 158 "Other Readings" : Sophocles’ Antigone, Plato, Crito (M. Nussbaum “Sophocles’ Antigone: Conflict, Vision, and Simplification,” The Fragility of Goodness J. Baldwin “A Question of Identity” J. Baldwin and M. Mead A Rap on Race K. A. Appiah, “The Demands of Identity,” The Ethics of Identity K. A. Appiah, “Soul Making,” The Ethics of Identity